Piazza della Signoria
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| Horse and carriage rides available at Piazza della Signoria |
Piazza della Signoria is an L-shaped square in front of the Palazzo Vecchio in Florence, Italy. It was named after the Palazzo della Signoria, also called Palazzo Vecchio.
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| General view of the Piazza della Signoria |
It is the focal point of the origin and of the history of the Florentine Republic and still maintains its reputation as the political hub of the city. It is the meeting place of Florentines as well as the numerous tourists, located near Ponte Vecchio and Piazza del Duomo and gateway to Uffizi Gallery.
Palazzo Vecchio
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| Palazzo Vecchio |
The Palazzo Vecchio ("Old Palace") is the town hall of the city. This massive, Romanesque, crenellated fortress-palace is among the most impressive town halls of Tuscany. Overlooking the square with its copy of Michelangelo's David statue as well the gallery of statues in the adjacent Loggia dei Lanzi, it is one of the most significant public places in Italy, and it host cultural points and museums.
In 1299, the commune and people of Florence decided to build a palace, worthy of the city's importance and giving greater security, in times of turbulence, to the magistrates. The cubical building is built in solid rustic stonework, with two rows of two-lighted Gothic windows, each with a trefoil arch.
Although most of the Palazzo Vecchio is now a museum, it remains the symbol of local government: since 1872 it has housed the office of the mayor of Florence, and it is the seat of the City Council.
Entrance of Palazzo Vecchio
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| Entrance to Palazzo Vecchio |
Above the front entrance door, there is a notable ornamental marble frontispiece, dating from 1528. In the middle, flanked by two gilded lions, is the Monogram of Christ, surrounded by a glory, above the text (in Latin): "Rex Regum et Dominus Dominantium" (translation: "Jesus Christ, King of Kings and Lord of Lords". This text dates from 1851.
Michelangelo's David also stood at the entrance from its completion in 1504 to 1873, when it was moved to the Accademia Gallery. A replica erected in 1910 now stands in its place, flanked by Baccio Bandinelli's Hercules and Cacus.
Fountain of Neptune
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| Fountain of Neptune |
The Fountain of Neptune is a fountain in Florence, Italy, situated on the Piazza della Signoria (Signoria square), in front of the Palazzo Vecchio.
This work by Bartolomeo Ammannati (1563–1565) and some assistants, such as Giambologna, was commissioned on the occasion of the wedding of Francesco I de' Medici with grand duchess Johanna of Austria in 1565. The assignment had first been given to Baccio Bandinelli, who designed the model but he died before he could start working on the block of Apuan marble.
The Neptune figure, whose face resembles that of Cosimo I de' Medici, was meant to be an allusion to the dominion of the Florentines over the sea. The figure stands on a high pedestal in the middle of an octagonal fountain. The pedestal in the middle is decorated with the mythical chained figures of Scylla and Charybdis. The statue of Neptune is a copy made in the nineteenth century, while the original is in the National Museum.
Statue of David
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| Statue of David by Michelangelo |
David is a masterpiece of Renaissance sculpture created between 1501 and 1504, by the Italian artist Michelangelo. It is a 5.17 metre (17 foot)marble statue of a standing male nude. The statue represents the Biblical hero David, a favoured subject in the art of Florence.
Originally commissioned as one of a series of statues of prophets to be positioned along the roofline of the east end of Florence Cathedral, the statue was instead placed in a public square, outside the Palazzo della Signoria, the seat of civic government in Florence, where it was unveiled on 8 September 1504. Because of the nature of the hero that it represented, it soon came to symbolise the defence of civil liberties embodied in the Florentine Republic, an independent city-state threatened on all sides by more powerful rival states and by the hegemony of the Medici family.
The eyes of David, with a warning glare, were turned towards Rome. The statue was moved to the Accademia Gallery in Florence in 1873, and later replaced at the original location by a replica.
Statue of Hercules and Cacus
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| Statue of Hercules and Cacus by Bandinelli |
The white marble sculpture Hercules and Cacus is to the right of the entrance of the Palazzo Vecchio in the Piazza della Signoria, Florence, Italy.
This work by the Florentine artist Baccio Bandinelli (1525–1534) was commissioned as a pendant to David, which had been commissioned by the republican counsel of Florence, under Piero Soderini (gonfaloniere for life), to commemorate the victory over the Medici.
Here, the demi-god, Hercules, who killed the fire-belching monster Cacus during his tenth labor for stealing cattle, is the symbol of physical strength, which juxtaposed nicely with David as a symbol of spiritual strength, both symbols desired by the Medici. This marble group shows the basic theme of the victor (the Medici) and the vanquished (the republicans). The pause suggests the leniency of the Medici to those who would concede to their rule, and served as a warning to those who would not, as this pause can be indefinite or simply temporary.
Cosimo I de' Medici, Grand Duke of Tuscany
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| The equestrian statue of Cosimo I de Medici |
Cosimo I de' Medici (12 June, 1519 – 21 April 1574) was Duke of Florence from 1537 to 1574, reigning as the first Grand Duke of Tuscany from 1569.
Cosimo was born in Florence, the son of the famous condottiere Giovanni dalle Bande Nere from Forlì and Maria Salviati.
According to the Medici Archives, Cosimo I was born June 12, 1519 and died April 21, 1574. Cosimo came to power at 17, when Duke Alessandro de' Medici was assassinated in 1537, as Alessandro's only male issue was illegitimate. He was from a different branch of the family, and so far had lived in Mugello, being almost unknown in Florence: however, many of the influential men in the city favored him, several of them hoping to rule through him and thereby enrich themselves at the state's expense. However, as Benedetto Varchi famously put it "The innkeeper's reckoning was different from the glutton's." [1] Cosimo proved strong-willed, astute and ambitious, and soon rejected the clause he had signed, which entrusted much of the power to a council of Forty-Eight.
In June 1537 Cosimo was recognized as head of the Florentine state by the Holy Roman Emperor Charles V, in exchange for help against France in the course of the Italian Wars. With this move he firmly restored the power of the Medici, who thereafter ruled Florence until the death of the last of the Medici, Gian Gastone de' Medici, in 1737.
Loggia dei Lanzi
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| Loggia dei Lanzi |
The Loggia dei Lanzi, also called the Loggia della Signoria, is a building on a corner of the Piazza della Signoria in Florence, Italy, adjoining the Uffizi Gallery. It consists of wide arches open to the street, three bays wide and one bay deep. The arches rest on clustered pilasters with Corinthian capitals. The wide arches appealed so much to the Florentines, that Michelangelo even proposed that they should be continued all around the Piazza della Signoria.
The vivacious construction of the Loggia is in stark contrast with the severe architecture of the Palazzo Vecchio. It is effectively an open-air sculpture gallery of antique and Renaissance art.
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| Temperance at Loggia dei Lanzi |
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| Rape of the Sabine Women (foreground) |
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| Perseus with the head of Medusa |
(extracted from http://en.wikipedia.org/wiki/)
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